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Rappers are walking business empires
Word Count: ~3,250 words; Reading Time: ~15 minutes
In early June, Jay-Z became the world’s first ever rapper billionaire. Forbes ran a piece “Artist, Icon, Billionaire: How Jay-Z Created His $1 Billion Fortune” that was viewed ~630K times (as of early July 2019). Countless tweets and Instagram posts flooded social media feeds – “More than a Musician”; “Shawn Carter – The Businessman”, etc. What’s funny is when I set out to write this essay originally, my entire purpose was for audiences to appreciate the most successful rappers for what they were truly were – musical artists, businessmen and cultural icons. Thanks for frontrunning me, Forbes. I’ll take my royalty check in the mail…. Anyhow, this got me thinking. While people are fascinated by reading about these rappers’ vast accomplishments, it’s always isolated around two categories: (1) commercial and critical accolades or (2) monetary accomplishments. What if someone took the time to break down their careers from all angles? The problem is if you’re not a passionate music fan, you’re unlikely to read a 3,000+ word paper on hip-hop strategy. What if I flipped the script and I told you that this post is actually on business strategy and that rappers’ approach to the game is not so different from the likes of the world’s most successful companies?
For the sake of relatability, I’m going to focus on hip-hop’s biggest names over the past two decades – Jay-Z, Kanye West, and Drake. To give you a glimpse of why, take a look at Figure 1 below just to give you an idea of how all-encompassing their careers are.
Figure 1: All-encompassing Careers
If you disagree, let’s talk about just music via Figure 2 and Figure 3 below.
Figure 3: Enablement of Others’ Careers
Figure 2: Career Accolades; Sources: RIAA, Billboard,
and Grammy websites
After spending some considerable time dissecting each of their individual careers, I noticed each has built their empire in their own unique fashion. In the spirit of connecting the themes of business and hip hop, I am going to dissect their careers through the lens of widely known business strategies. Just as you can attribute particular business decisions to the success of Nike, Apple, or Netflix, you can break down the individual careers of Jay-Z, Kanye West, and Drake, respectively, in the same light. Let’s dig into comparisons and core strategies: Jay-Z and Nike (building an iconic brand), Kanye West and Apple (creative innovations that redefined their industries), and Drake and Netflix (navigating industry paradigm shifts with a focus on virality).
Jay-z and nike: “the icons”
- The 30-Second Story of Jay-Z: Jay-Z was brought up in the Marcy housing projects, an impoverished area in Brooklyn NY that was affiliated with drugs and crime. He resorted to selling crack cocaine in his teenage years to make money. He spent the earlier years of his career being a hype man for the well-known rapper, Big Daddy Kane. When he attempted to start his musical career, no one would sign him so he started his own independent label and sold CDs out of his car. Once he broke out after the release of his first commercial album, Reasonable Doubt, Jay-Z released 11 consecutive #1 albums and has 14 overall (the most of any artist of any genre). He’s often heralded for his storytelling ability to depict life in the ghetto and usage of wordplay to illustrate the themes of “rags-to-riches” and the American dream. Throughout the years, he’s collaborated with the most famous artists of multiple stylistic periods including Kanye West, Beyonce, Rihanna, J. Cole, Drake, etc. With the money and presence he built up, he’s launched numerous multi-million dollar ventures: a creative and athletic talent agency, entertainment companies, luxury sports bars/restaurants, clothing lines, champagne investments, and tech startups, among other forays.
- The 30-Second Story of Nike: Nike’s roots started as a distributor of Japanese Onitsuka Tiger running sneakers with employees selling shoes out of the trunks of their cars. Eventually, Nike began to create their own shoes in-house and went on to dominate the US athletic shoe market with 50%+ market share. Since then, it’s gone on to become one the top sportswear companies of all-time, specializing in apparel and athletic gear for nearly every sport with their products marketed and sold globally. Throughout the years, Nike has had impeccable decision-making in their collaborations with the top up-and-coming athletes/teams across sports and generations. The company is world renowned for its incredible brand power (the iconic “swoosh” and slogan “Just Do It”) and has leveraged its expertise in running sneakers to build a business empire that is now engaged in the design, development, manufacturing, and worldwide marketing and sales of footwear, apparel, equipment, accessories, and services across a variety of athletic and consumer verticals.
- Building a Brand: Building a brand involves starting out unknown, finding your target audience, and then keeping loyal fans coming back for more. This is something business and music are fully aligned on. Each new extension in music (singles, albums) or in business (products, launches) is a representation of that brand. Both Jay-Z and Nike have done this masterfully in their respective industries by building powerful, iconic brands that became the market-standard for consumers. Both began as sideshows to dominant players, established their market identity, dominated their niche for decades, and then extended their brands to other verticals. In Jay-Z’s example, he went from appearing as a guest artist on others’ tracks to establishing himself as a dominant standalone solo rap artist, demonstrating superior lyrical storytelling ability with a grandiose, ghetto bravado. This style and skill resulted in 11 straight #1 albums, culminating in one of the most prolific runs in the rap game (and still going). His dominance on the charts and within his niche has propelled his discography up there with the best artists of all times across all genres. For Nike, they became the most trusted and reliable source of high-quality running shoes for a niche that no one else was focusing on. They started as a US distributor for a leading Japanese brand, began to create their own in-house sneakers which went on to dominate their core market, became the leading sneaker brand for all athletes across various sports, and have since went on to release all types of leading athletic and consumer products.
- Collaborations with Market Leaders: Both platforms understood the importance of working with industry leaders to establish credibility in different market segments and appeal to a broader audience. In Jay-Z’s case this included working with up and coming producers (Kanye West, The Neptunes, Just Blaze), making music with the leading artists across multiple periods (Eminem, Kanye West, Drake), and signing the next wave of leading artists (Rihanna, J. Cole). For Nike, it was to build their market presence in new sporting categories by signing the premier player(s)/team(s) in emerging market segments, such as expanding from running shoes into basketball (Michael Jordan, Kobe Bryant, LeBron James), international sports (Ronaldhino, Cristiano Ronaldo, or sponsoring the Indian cricket team) and tennis (Rafael Nadal, Serena Williams), among many others.
- Business Expansion/Leveraging Success: The definition for leverage is “use (something) to maximum advantage”. Both platforms used their initial traction to build a wide-ranging book of business both within and outside their industries. They were able to crossover into new markets given their dominance in their original industries. They went from pure-play operators into diversified platforms. In Jay-Z’s case, he began as an artist at his label, rose to CEO, invested in traditional, related industries such as clothing lines and bars and then expanded his investment empire to include music, real estate, art, champagne, and entertainment, among other investments (see aforementioned Forbes link). Nike started off focused on running shoes and then moved horizontally to become the largest athletic shoe supplier for multiple sports. Thereafter, they expanded into apparel (both athletic and casual) and other athletic gear and are now recognized as a global powerhouse in the manufacturing and distribution of all types of sporting equipment and consumer apparel.
Kanye west and apple: “the innovators”
- The 30-second story of Kanye: West dropped out of college at age 20 to pursue his passion of music. West began his career producing for famous artists such as Jay-Z, Cam’Ron, Beanie Siegel, Common, and Alicia Keys, among others. Once he attempted launch his own rap career, West was ignored by multiple record companies because he didn’t carry the “gangsta image” that was prominent in hip hop until that time. Once he released his first commercial album, The College Dropout, Kanye was immediately well received for his unique style and approach to rap and production (aside: he’s arguably one of the greatest producers of all-time). Since then, West has released an abundance of successful albums that drew inspiration from categories never seen before in rap – to name a few, soul, baroque pop, electro, indie rock, synth-pop, industrial, and gospel. Each project was coupled with an equally impressive promotional marketing campaign. West’s creative vision extends beyond music and most prominently into fashion. West has collaborated with leading brands (Nike, Louis Vutton, A.P.C., Adidas, Bape, Giuseppe Zanotti, etc.) on both clothing and footwear.
- The 30-second story of Apple: A college dropout and tech geek had a vision for revolutionizing the world via the concept of a personal computer. They started working out of their garage and rapidly built one of the most successful consumer technology companies of all time. Along the way, they built up an incredible reputation for flawless design, innovative product leadership, and creative marketing campaigns. The company is credited with numerous consumer technology innovations and some of the most successful commercial technology products of all-time: Macbook, iPhone, iPad, Airpods, etc.
- Outside the “Norm”: Kanye redefined the genre of rap by breaking it out of the “gangsta image”. Before West, if you weren’t rocking a tilted cap, baggy pants, and rapping about drugs and money, you weren’t considered a rapper. Kanye reinvented rap as we know it by breaking the genre out of the stereotypical mold it was forced into by record labels. Apple was able to do the same with computing and the technology market. Apple wanted to redefine how consumers interacted with their tech products and reinvented the consumer-technology relationship, shifting the market from a gadgets-oriented customer base (most powerful, cost-effective product) to a brand-focused customer relationship (owning an interconnected set of products and services). It’s not a coincidence that the majority of people have more than a single Apple product and subscribe to their service offerings. Both platforms also demonstrated the ability to push consumers to end products that consumers never realized they wanted or needed. West continually pushed the creative boundaries of the genre, like remixing Daft Punk’s purely electronic “Harder, Better, Faster, Stronger” into a popular rap song, “Power”. Apple made revolutionary moves via product innovation such as introducing keyboard-less phones, wireless headphones that tucked into your ears, or revolutionizing GUIs on computer operating systems.
- Promotional Prowess: While you’d assume this is a subjective matter, you’d be hard-pressed to find individuals that deny the promotional prowess of both platforms. Over the years, West has employed a variety of approaches to promotion of himself, his music, and his fashion: he popularized live-stream album listening parties, he launched G.O.O.D Fridays – free weekly releases of incredible music – ahead of My Beautiful Dark Twisted Fantasy, and his performances are something of legend (he pulled up to the BRIT awards with a mob of 50+ hooded associates wielding flamethrowers or, most recently, the emotionally charged Sunday Service performances). Apple is a renowned marketing leader, often releasing captivating marketing campaigns and promotional events tied to new product launches. Steve Jobs, Apple’s founder and figurehead, pioneered the global development conference spectacles (“Stevenotes”) known as the Apple WWDCs, and, over the years, there have been numerous iconic Apple marketing campaigns: 1984, Shot on an iPhone campaigns, or my personal favorite, Think Different.
- Leading Design: Both platforms have an incredible eye for design, demonstrating their ability to come up with brilliant new concepts and also stay ahead of rapidly changing consumer preferences. West has his fashion-related work presented at iconic launches like Paris Fashion Week and his Yeezy sneaker line is considered to be one of the most influential and commercially successful shoe lines ever, expected to reach $1.5 billion in sales by 2019 year-end (for reference, Jordan Brand sells $3 billion). Apple has built a suite of some of the most impressively designed products in the history of consumer tech with a storied design team that is focused on every single detail of their products inside and out. There is considerable literature out there on Steve Jobs and Jony Ive’s legendary design leadership on the wide range of Apple products including Mac, the iPod, iPhone, iPad, Apple Watch, and more, including the spaceship office space. As soon as Apple popularizes a new design, it immediately becomes the market standard and a societal norm.
Drake and netflix: the visionaries
- The 30-second story of Drake: Drake started his entertainment career by acting in a coming-of-age teenage sitcom, Degrassi and later attempted a foray into the hip-hop world. After being discovered and co-signed by then immensely popular Lil’ Wayne, Drake quickly ascended to the top of the industry and now has one of the most impressive commercial catalogs of all time. Drake rose to the top by pioneering the rap-sing technique and focusing on a high volume of commercial singles/features versus focusing on albums. Drake has focused on distribution in the form of being featured prominently on all musical streaming platforms. Additionally, Drake has carefully manufactured his public image to be optimized for global recognition through partnerships with international artists, global tours, and a heavy presence on social media. Drake is one of the most culturally relevant human beings alive by always being at the forefront of what society is talking about.
- The 30-second story of Netflix: Netflix started as a DVD-by-mail company that quickly transformed into an alternative to standard TV. Netflix was the first-mover in the over-the-top streaming market that upended the traditional pay-tv cable market over the past decade. Netflix pioneered the binge watch (watch multiple episodes of a television program in rapid succession, typically by means of DVDs or digital streaming). Netflix reimagined how consumers could interact with content, altered how the entertainment industry manages distribution, and optimized their business model to focus on global growth. Netflix has become a staple in modern American culture, especially as it relates to media consumption.
- Navigating Paradigm Shifts/Understanding Changing Consumer Behaviors: Each platform entered their respective behemoth industries with a focus on disrupting the supply chain. Drake recognized that the way consumers interacted with music was quickly shifting to a more singles-orientation versus album-orientation, popular in decades past. He shifted his song catalogue to be focused on catchy, wide-appealing anthems and on collaborations with other up-and-coming artists. He also pioneered the rap-sing technique (singing melodies on the same song where he’ll also spit traditional rap stanzas), in which consumers got a little bit of everything. Netflix recognized that consumers no longer wanted the entirety of their cable subscriptions and wanted to interact with only the content that they cared for. Netflix curated a catalog of widely relatable and popular TV shows and then packaged them in an over-the-top TV subscription offering. Instead of having hundreds of channels, Netflix doubled down on premier content across top media categories which gave consumers a taste of everything they could ever desire but focused on the content they wanted most. Netflix also found that consumers hated the anxiety of waiting week-to-week, which lead to the invention of binge watching.
- Focus on Virality: Both platforms are focused on volume and growth over quality of content. While I may personally disagree with the assessment, Drake has been accused of taking the bankability > accolades approach to rap, releasing lengthy playlists/albums that are optimized to game the streaming system algorithms to rise to the top of the charts immediately versus aspiring for Grammy’s. Netflix has been accused of doing something similar by churning out a ridiculous amount of programming that is optimized to increase the time consumers spend streaming. This can be juxtaposed against the approach of HBO, which is focused on a lengthier creative process focused on producing high-quality programming. Both Drake and Netflix are top of mind for society due to their prolific volume and impressive marketing regimes. Ahead of albums, Drake leverages social media, billboards in major cities, attractive marketing real estate on streaming services, and releases short videos to generate hype. Netflix builds up a financial war chest each annum, having spent an estimated $13 billion on content in 2018 and $15 billion for 2019. These marketing and production approaches have been effective for both platforms thus far. Drake releases a new album? Immediate number one. Netflix releases a new show/movie? Immediately breaking records. They have been so consistent and so deliberate about mass appeal and each have mastered distribution to the point that any time they produce anything new, it immediately goes viral.
- Mass Cultural Appeal: Both platforms’ have tailored their market approaches for massive cultural engagement globally. Drake has collaborated with artists across the world in order to tap into new markets by working with popular foreign acts in the cultures he’s attempting to appeal to. This has included featuring numerous foreign artists on mixtapes such as More Life to actually taking a stab at Latin rap on Mia. When expanding internationally, Netflix bought exclusive distribution rights to various shows aired in different countries to stream them on their platform as original programming to appeal to customers in new geographies. Furthermore, both have used their brands to expand into new product categories. Drake’s personal OVO brand now encompasses a record label, clothing apparel, a music festival, an NBA team sponsorship, and collaborations with other fashion brands (DSquared, Air Jordan and Canada Goose). Netflix went from a platform of engaging content that was rented to a proprietary hit-making production machine of original programming that spans documentaries, movies, and shows. Furthermore, their brand power is exemplified through their impressions on societal culture. Take Drake with the meme culture (too many to link to), the In My Feelings challenge, music videos (Hotline Bling or God’s Plan), social media presence (58M+ followers on Instagram), lingo he’s impressed into society (e.g. YOLO – which got added to the dictionary), or lately – his antics on NBA sidelines. Netflix is no different with their impact – Netflix and Chill, Bird Box Challenge, and have you seen their social media activity?
Let’s catch our breaths – that was a lot to unpack. As you can see, hip-hop and business are much more integrated from a strategy perspective than people like to give them credit for. While I’m sure people would like to stir debate on which approach is the best and why, I’m not sure I agree with that characterization of the discussion and it’s not the point of the post. You can argue superiority of businesses from a variety of ways: profitability, NPS, influence, stock price, enterprise value, etc. Why should hip-hop be any different? In that light, that’s my exact point. Let’s appreciate and analyze them holistically and leave the foolish bickering to the tabloids.
I’ll end the piece on what I think is the perfect TLDR point of the post. Jay-Z on Kanye West’s Diamonds from Sierra Leone Remix: “I’m not a businessman; I’m a business, man.”